A Psychological Profile Of Janis Joplin

Overbearing Mother In Law - A Psychological Profile Of Janis Joplin

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"The greater the feeling of inferiority that has been experienced, the more remarkable is the urge to conquest and the more violent the emotional agitation." ---Alfred Adler

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Overbearing Mother In Law

Biographical Overview

Janice Joplin was born January 19, 1943 in Port Arthur Texas to Seth and Dorothy Joplin. Janice was the first born child in a family that would ultimately consist of a sister Laura, who was born 6 years later, and a brother Michael, who was born 10 years later. Janice's early family life was relatively normal, and as a child she was exceptionally arresting and bright. Janice often made up stories as a child and began writing plays while in the first grade, and even at a very young age her creative talent seemed to be developing.

One early story recounted in Myra Friedman's (1973) book on Janis, recounts how Seth would take the Janis and ultimately her siblings down to the post office to look at the pictures of the wanted men as a form of entertainment. Given Janis's later utter and total disregard for the law and conventionality in her life, one wonders if Janis didn't compose some kind of sympathy for the "outlaw" from these early experiences, as she truly began to view herself as existing surface of the bounds of general society.

In Janis's words, "The whole world turned on me" when she entered High School, and these years seemed to have an especially profound influence on Janis as well as her later work. Port Arthur was in many ways a rough and even violent city, and as a port town had a estimate of bars and houses of prostitution to assistance the men who came to work there. Janis witnessed ultimate racism while growing up in Port Arthur, and her tolerance and acceptance of habitancy from other races quickly earned her the nickname "nigger lover" which was one of many that she would ultimately secure in Port Arthur. During this duration Janis also gained weight and advanced bad skin, and she was often also called a "pig" by the other children in the school.

Following High School Janice enrolled at Lamar State College which she found was much like her High School in Port Arthur, as she again experienced a great deal of rejection here and ultimately dropped out. With her parent's blessing, Janis moved to Los Angeles to live with one of her aunts. Janis ultimately moved out of her aunt's home into a place of her own in Venice Beach and it was During this trip that she began to seriously use drugs together with heroin. Having nearly died During her experiences in Venice Beach, Janice again returned to Port Arthur, and ultimately decided to return to school, this time at the University of Texas in Austin.

It was During this duration of her life where Janis began performing seriously as a musician. She had discovered the blues straight through listening to records by Odetta and Bessie Smith, and Janis showed an wonderful quality to imitate these singers, which was a lifelong talent she had advanced even as a young girl. Janis would often play in coffeehouses and other campus spots colse to Austin, and it was During these formative years where she was able to put together her blues, folk, and rock influences into her own integrated and unique sound. Janis's popular place to play was the legendary Threadgill's where she became close friends with owner Ken Threadgill who was a very inevitable force in Janis's life.

Although Austin included many more anti-establishment types than Port Arthur, Janis was still ridiculed and mocked at the University of Texas, and her sense of inferiority as a corollary of this reached its pinnacle when she was nominated for the "Ugliest Man on Campus" award while attending school in Austin. This was the final blow to Janis in Texas, and shortly after this even she packed her bags and moved to San Francisco to pursue a vocation as a singer.

Janis moved to Haight Ashbury in 1966 which at the time was the epicenter of the 1960's. Bands such as the Grateful Dead and the Jefferson Airplane were also coming up at this time, and the music and free time made the Haight in the 1960's for many a magical time and place to be. Janis found an expected sense of belonging with Big Brother During this time, and their early work as a band represented the raw energy and improvisational nature of rock and Roll that habitancy were starting to take observation of.

Janice soon began to outshine Big Brother however, and although they were a highly energetic live band, their improvisational style did not translate well in recording sessions. Janice on the other hand took a great interest in the recording sessions, and was committed to recording an album that demonstrated Big Brother's and more importantly her own unique style. With Albert's encouragement, Janice ultimately left Big Brother, and this act was seen by many in the band, as well as many of Janice's personal friends, as an act of selfish betrayal.

Janice next formed the Kosmic Blues Band, which she spelled with a K in honor of Franz Kafka, who was one of the many novelists that Janice loved to read. The band was supposed to mark a return to Janice's blues roots, but her first gig in Memphis, a city rich in the blues tradition, was a disaster as the new band received a very lukewarm response from the Memphis crowd. During her time with Kosmic Blues, Janice, already a quarterly heavy drug user became more enamored of Heroin. Janice's Heroin use prolonged to increase throughout her time with the Kosmic Blues band, and by the time it came to play at Woodstock in the summer of 1969 she was most likely addicted to the drug. In one particularly disgusting story, Janice's friend and lover Peggy Caserta (who would later go on to write "Going down with Janis" recounts how Janis snuck into the movable toilets to shoot Heroin prior to her doing at Woodstock. In any case Janice's doing at Woodstock was not idea to be one of her best, and it was at this juncture of her vocation where her Heroin abuse and prolonged heavy drinking seemed to adversely begin affecting her music.

Realizing that the Kosmic Blues band was not working, Janice also left this band, and in the last year of her life formed her final band that was known as Full Tilt Boogie. It was also During this duration that Janice formed a friendship with Kris Kristopherson who would ultimately come to be her lover, and who also wrote Janis's seminal hit Me and Bobby McGee which is the song she is most known for today. During this last phase of her life, Janice began referring to herself as "Pearl" which to her represented the tough- talking highly sexed festive side of her nature.

One considerable event that occurred at the end of her life was Janice's ten year High-School reunion. Janis announced her plans to attend the reunion on the Dick Cavett show while also telling the host Dick Cavett that During her time at Port Arthur that her classmates "laughed me out of class, out of town and out of the state, man". Janis wanted to return to Port Arthur to show those that had picked on her and ostracized her that she had made it after all, while also still craving acceptance from the town that she idea her fame would bring her. Janis was drunk most of the time During the reunion, and because she had made some negative remarks about the town in the national press, her visit did not perform what she had hoped, and once again she left Port Arthur feeling rejected and unloved.

Upon returning to San Francisco Janice's Heroin usage had increased significantly, and it was also During this time that she met and quickly became engaged to a man named Seth Morgan who was from a wealthy east coast family. By all accounts Seth was a dishonorable man, and his stormy connection with Janis did not appear to be based on any kind of fidelity from either party. During Janis's last months in San Francisco she also reconnected with Peggy Caserta whose appetite for Heroin nearly matched Janis's. Peggy and many others of Janice's friends prolonged to use Heroin with her in her last month, but Janice was using the drug alone in a seedy hotel when she ultimately died from an overdose on October 4th 1970.

Janis's death deeply saddened her friends as well as her fans, but many, together with Janice herself, did not expect her to live a particularly long life. Her rampant alcohol and Heroin use had set her on a collision procedure with death that seemed inevitable, and with this in mind, many habitancy determined the idea that Janice Joplin's death was not in fact an crisis but rather a suicide. While a coroner's record showed that the Heroin Janice had used that night was especially pure, one can truly reason that Janis Joplin contributed greatly to her own demise. Despite the fact her death was ultimately ruled an accident, it is clear that Janis Joplin's sad and unhappy life ended as a direct corollary of her own actions.

Analysis

Gender Role preparation perceived straight through Gender Guiding Lines and Role Models

One of the ways a child makes his or her way in the world begins with an acceptance or a rejection of their gender guiding lines. In this regard, Janis Joplin's connection with her mum becomes arresting to analyze, as Janice and her mother's interactions were often characterized by a battle of wills and a great deal of turbulence. Janis's mother, who was a Sunday school teacher, expected Janis to conform to the rules, wear dresses like the other small girls, while also development the family proud with her accomplishments. In this regard Mrs. Joplin had high expectations for her daughter regarding both conformity and accomplishment, and this seemed to send a mixed message to Janis that affected her hereafter ambitions and desires.

Despite Janis's rejection of the maternal guiding line, she did recognize strongly with her father who was an intellectual man who enjoyed reading and was much more accepting and permissive of Janis than her mother. Janis seems to have strongly identified with her father instead of her mother, and this speaks directly to her eventual embrace of many more traditionally masculine qualities in her life.

Janis ultimately practically totally and thoroughly rejected her mother's wishes that she be like the other girls, and therefore rejected the female guiding line in the family which also seemed to have an corollary on her sexuality. Although Janis talked a few times of achieving married life with a "white picket fence" she found belonging by wearing pants and acting like one of the boys, and for Janis this included sleeping with by her own catalogue "a merge of hundred" women throughout her life, together with one in her High School years.

Much has been made of Janis's sexuality, and one feminist writer attributed Janis's drug use and lifelong pain as resulting from being unable to fully come out and touch life as her lesbian self. In essence she made Janis a martyr for lesbian causes, and this idea is arresting and arresting to reconsider with regard to Janis. It truly must have been difficult for Janis to reject the feminine guiding line in the family without it having some influence on her sexuality, and therefore it seems highly plausible that Janis may have been predominantly attracted to other women. On the other hand Janis did also sleep with a great many more men than women in her life, but her inability to preserve continuing relationships with these men may speak directly to Janis's confused and even tormented sexual feelings. Although she often bragged about her conquests with men, one could see this as a dramatic overcompensation for her lesbian feelings, as well as a recompense for her rejection by the boys of Port Arthur when she was young. As a star Janice spoke often about her increased entrance to "pretty young boys" and one wonders if her often false bravado when speaking about men may have plainly been attempts to deal with feelings of childhood rejection and inferiority.

When children reject their parental guiding lines, they may often turn to role models to guide them. In Janis's case because such a role model was not ready in Port Arthur, she found this guidance straight through emulating and learning the music of Bessie Smith, who had died some years before Janis was born. Bessie Smith was and is one of the most influential Blues singers in American history and Janis felt a kinship with the blues where she was drawn not just to the music but also to the sadness and pathos that produced the music. Janis look often throughout her vocation that singing the blues required suffering, and Janis used this reliance to clarify and rationalize her Heroin abuse.

Janice did draw compel from visualizing the blues singers that had come before her however, and the anguish and pain in her voice while she was singing appeared to be a true representation of Janis's often tortured life. Much like the Blues singers she was emulating, Janis did use music to make sense of painful feelings, and the power and influence of Blues singers like Bessie Smith provided for Janis a roadmap of how to process these feelings. Bessie Smith was in fact such a remarkable influence on her, that Janis contributed half the money for Bessie Smith's memorial so she could be properly honored and remembered.

Interpersonal Style perceived straight through touch of family Atmosphere

One thing that Janice seems to have inherited from her mum was a sense of frugality which Dorothy had advanced from her experiences finding her family farm lost to the depression. Janice was not particularly generous with money over the procedure of her career, and despite her blatant disregard for the rules, friends who went straight through Janice's possessions (Friedman 1973) following her death found some "meticulously organized checkbooks, all balanced to the penny." Janice also all the time scoured for the cheapest item when she was grocery shopping, and would spend extra time comparing differences in price on items although money was truly no object in this instance. Inspecting Janice's otherwise highly disruptive life, this seems practically miraculous, and truly speaks to the fact that Janice respected at least some of her family's established values.

Another instance where Janice seems to have rejected her mother's guidance was in the area of spirituality, where Dorothy who was a Sunday school teacher, tried to instill in her children ideas consistent with accepted morality. Janice wildly rejected this idea, and adopted an highly hedonistic attitude where if something felt good to her she was quick to do it. Janice often expressed this philosophy of the immediate throughout her life, and this ran directly opposed to the family's religious convictions that there was a life after this one where we received our final rewards.

The family's experiences with music are also important to reconsider with regard to Janis's interpersonal style. At one time Dorothy was such a talented singer that she received a full scholarship for her musical abilities to Texas Christian University. Dorothy prolonged to sing in the church choir when Janis was little, and the family had a piano to celebrate Dorothy's love of music. When Janis was young Dorothy had one of her vocal cords severed in an crisis During a surgery, and Dorothy could no longer sing as a corollary of this experience. Seth then sold the piano and this seemed to carry an unusual message to Janis about music, and may have a connection to Janis's fear, repeated often throughout her career, that she would loose her voice and therefore her career.

Janice's eventual embrace of music could be interpreted a merge of different ways. First, that she carried on the family torch passed down from Dorothy, or second, that she took to music because it was something her mum could no longer do. Inspecting how stormy the connection was in the middle of Janis and her mother, and the fact that Seth sold the piano because it was too painful to have colse to for Dorothy, it seems possible to reason that Janis's music was in some ways a reaction against her mother. The kind of music Janis did go on to produce was truly far different than the music Dorothy studied in school and perhaps Janice's embrace of music could be interpreted as both an ode to, as well as a reaction against, Dorothy's love of music.

Perspective on the World perceived straight through touch of Psychological Birth Order

Janis was the first born child in a family of three, and this also influenced her perspective on the world. First born children are often the responsible and conservative children in the family, and can come to be in many ways like second parents to the other children. In Janis's first 6 years of life she behaved much like you would expect an oldest child to behave, as her mum reports she learned to sit and cut her food and eat and talk like an adult at a very early age with amused and surprised Dorothy. Janice was also very well-behaved and had exquisite manners, and her mum reports that her behavior was nearly beyond correction in these early years.

Things changed when Laura was born when Janice was six, as not only was Janis now dethroned as the only child, but Laura had health complications which took up even more of her mother's attention. Interestingly Janis did not at this time come to be a jealous and overbearing sibling, but instead became very attentive to Laura and cared for as a kind of surrogate parent.

A arresting switch in the psychological birth order perspective did happen later however, when Janis began to get jealous that Laura appeared to do things that met her mother's high expectations whereas Janis consistently let her down. Children often find belonging in families by arresting in behaviors that are different than their siblings. In the case of the Joplin's this happened much later when Janis was in High School, where Janis was now finding belonging as the misbehaving child where Laura assumed the role of the responsible one. Commonly this dynamic is exactly reversed, but in the Joplin's case Laura now assumed the vantage point of the first born child and Janis as the reckless and wild second born.

This pattern prolonged throughout the rest of their lives, as During her periods of conservative behavior Janis would often ask for Laura's aid picking out the allowable clothes and seek her guidance on style and other matters. Although Laura was six years younger, she seemed to ultimately surpass Janis emotionally as well, and her story is very much intertwined with Janis's even today. Laura ultimately earned a Phd in instruction and became a motivational speaker. She also wrote a book called Love, Janis which provided letters Janis had written home to the family throughout her career, and this book, which was later made into a Broadway production, helped a lot of habitancy reach a greater insight of Janis Joplin's inner world.

Self estimate perceived straight through Genetic Possibilities

It is impossible to talk about Janis Joplin without talking about her corporal appearance, as this was at the root of a great deal of Janis's inferiority and perhaps even a partial explanation for her ultimate talent. Although Janis was by all accounts an median finding girl growing up, she went straight through a particularly awkward stage in High School where she gained weight and also advanced skin problems. In Texas in the 1950's this must have been particularly difficult, as charm was truly a cherished value for women in this time and place, and a person's self-worth could truly come to be tied to their appearance which seems to have happened to Janice. Rather than effort to play a game she felt she could not corollary at, Janice instead chose to write back in the exact opposite manner, and she made her personal appearance a very low priority.

This is excellent safeguarding behavior where a someone creates a sense of rejection themselves before others have a opportunity to reject them. In Janis's case she would put on a brave front when others would call her a "pig" in High School, but then go home and cry about this rejection. It must have particularly painful for Janis to be nominated for "Ugliest Man on Campus" while at the University of Texas, as this was a place where she had finally found some belonging and had experienced some success as a singer.

Being enduringly rejected for her appearance, Janis only felt beautiful in her life when she was performing. It was on the stage where her wild sexuality and charisma finally shined, and this for Janis meant the stage became the only place where she every truly felt accepted. Janice spent the rest of her life following High School chasing the "pretty boys" and this seems to be overcompensation for the rejection she felt from the popular boys both in High School as well as at the University of Texas. She made much of her one night stand with New York Jets quarterback Joe Namath, even announcing their affair over the microphone while doing a New York concert, and also bragged about sleeping with Jim Morrison, Dick Cavett, and many other men which may have been plainly further attempts to prove that she was truly wanted by the "popular" crowd.

This truly seemed to be a large part of her motivation to return to her High School reunion where she hoped to show those that had rejected her how she had made it. When Janis was again rejected at her High School reunion it seemed to bring all of her intense feelings of inferiority back to the surface, and have at least some connection to her final and fatal Heroin binge.

It is also arresting to reconsider Janis's engagement to Seth Morgan with regard to the timing of her reunion. Seth, whose east coast pedigree led Janis to believe that he was in fact one of the "popular" boys she had all the time sought after had also assured Janis he did not want any of her money, and even signed an agreement that assured this. For Janis this may have been a last grasp at fitting in and dealing with the feelings of inferiority her reunion stirred up, and a final effort at finding the belonging that she so desperately craved.

Openings for Advancement Perceived straight through Environmental Opportunities

It is impossible to effort an insight of Janis Joplin without also insight the times she came of age in. The 1960's was a duration of great revolution and change, and provided the exquisite backdrop for Janis to unharness her raw energy and power straight through her music. Prior to the 60's women had no such opportunity, and the excellent model of the Rosemary Clooney type lounge singer was a paradigm that Janis helped change and recreate for many hereafter generations. The fact that Janis came along concurrently at the height of the woman's movement was also significant, as she became for many a seal for women's sexual free time and experimentation that had previously been taboo. Had Janis come along in other era, her brazen sexuality would not have been well received, and Janis was a direct benefactor of as well as a contributor to, the women's movement.

Range of communal Interest perceived straight through Other Particularities

In Adlerian psychology, a person's reasoning health can be measured by examining a person's communal interest in other human beings. In Janis Joplin's case her early inferiority produced such violent insecurity that she had a very difficult time getting close to others and maintaining intimacy in her personal relationships. Although Janis was often taken advantage of by others in her life, she relished in reasoning of herself as a victim as it confirmed her existing feelings about herself.

For Janis the circumstances of her life must have contributed greatly to her confusion about other people's motives regarding their feelings for her. Before she was celebrated she was mocked and ridiculed by nearly every person she came into touch with, excepting a few pick friends she made along the way. She felt inferior in her home life and that she wasn't living up to her mother's expectations as to what a woman should be. Then when she became celebrated suddenly the whole world took an intense interest in her, and it is easy to see why she would doubt the motivations behind this interest given her prior experiences.

No where was this more obvious than at Janis's reunion where she wanted to show the habitancy who had mocked her how important she had become, while also badly seeking their acceptance. For Janis the Thomas Wolfe axiom that "You can't go home again" seemed especially appropriate, and all of these conflicting cognitions and emotions must have created a great deal of psychic turmoil in Janis which she numbed by using Heroin.

In this regard, Janis look to Myra Friedman (1973) that "her only true friends were the junkies she used to hang out with" and this is a telling statement that speaks directly to the fact that drug addicts often gravitate to each other in a kind of shared misery. The fact that Janis made this remark seems to confirm her low idea of herself, and how this low idea affected her interactions with others. Because Janis was so in need of love from others, she surrounded herself with sycophants who would often tell her whatever she wanted to hear, which was a fact Janis was well aware of.

Although many singers from this era together with Janis's one time lover Country Joe McDonald became very complex in political causes in the 60's, Janice's message seemed to be more about free time straight through breaking off the shackles that community imposed. perhaps because the 60's were such a time of freedom, many serious addictions such as Janis's were overlooked under the guise of free living. The dream of Timothy Leary and others like him that drugs could be a mind increasing tool has not been realized, and many such as Janis advanced severe and pathological addictions as a corollary of this idea. This was the paradox of the pairing of drugs and freedom, as, although the drugs were meant to free a person's mind, they often made them virtual slaves to their addictions as was the case in Janis Joplin's life.

Conclusion

Janis Joplin's life was clearly very sad, and demonstrates the determination and sadness that exists in someone who, despite achieving considerable wealth and fame, never learns to overcome feelings of inferiority towards the self. Alfred Adler's quote "The greater the feeling of inferiority that has been experienced, the more remarkable is the urge to conquest and the more violent the emotional agitation" seems especially relevant to Janis's life. In many ways Janis truly channeled and compensated for her feelings of inferiority straight through her work on the stage, but when the music was over Janis was all the time left with the same uncomfortable feelings. some of the books on Janis's life delineate how despondent she would be following a performance, and this may be because the stage was the only place she truly found the love and acceptance she so desperately craved.

Many factors contributed to Janis's inferiority, and the stars all aligned in a very unique way to create the life that was Janis Joplin's. Her early and prolonged rejection by the other children, particularly in High School created a lifetime of negative feelings about her corporal appearance, and these feelings were probably exacerbated straight through her interactions with her mum who wanted her to be more like the other children. Because Janis was not like the other girls, she assumed many masculine traits, and somewhere along the way her feelings about sexuality became very confused. Although there is considerable evidence to demonstrate a genetic link to homosexuality, there are also practically truly environmental factors which can lead to this, and Janis Joplin's life seemed to be an exquisite example.

Despite Janis's sexually ambivalent feelings, she many times look about a mythical "white picket fence" kind of life that she longed for that would bring her some consistency and stability. But Janice was also terrified of giving up her stardom, as this was also the only thing she had to cling to that gave her a sense of accomplishment in life. She had created the "Pearl" image and now she had to consistently live up to it, and this required a pace that no one could perhaps maintain.

Janice was also a goods of her times, as more than any other decade before or since, the 1960's were a time of great change, paradigm shifts, and revolution, and Janis helped define these times while also being swept away by them. The music of the 60's reflected a large break in community where kids were expected to "never trust whatever over 30" that never quite determined what happened when they reached 30. For Janis, her reckless lifestyle, intense feelings of self-loathing, and raging feelings of inferiority ultimately overwhelmed her, and her death at the age of 27 was truly tragic Inspecting the further contributions she may have gone on to make.

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